幸福的句子英文（精选6篇）
幸福的句子英文 第1篇
01、panions days，even ordinary also romantic!
有你相伴的日子，即使平凡也浪漫!
02、To love and to be loved is the greatest happiness of existence。
爱人和被人爱是人生最大的幸福。
03、Precious things are very few in this world。That is the reason there is just one you。
在这世上珍贵的东西总是罕有，所以这世上只有一个你。
04、I met you，how I wish，one hand is a lifetime。
遇见了你，我多希望，一牵手便是一辈子。
05、The most strong affection，always changes in temperature and;The most understand people，is the most warm companion。
最浓的情，总是冷暖与共;最懂的人，才是最暖的伴。
06、Where there is love，there are always wishes。
哪里有爱，哪里就有希望。
07、Cant you hear when I call?A little love is all I ask。
你能听到我的呼唤吗?我只要一点点爱。
08、I want you to hold my hand and take me to，I want to go to the place。
我想你牵着我的手，带我去，我想去的地方。
09、Within you I lose myself，without you I find myself wanting to be lost again。
有了你，我迷失了自我。失去你，我多么希望自己再度迷失。
10、You are in my heart warm ocean，even if you’re not by my side。
你是我心中的暖洋，即使你不在我身旁。
11、I’m here to please you，I am your man。Every day，every night，I hold you tight。
我在取悦你，我是你的人。每一天，每个夜晚，我紧紧拥着你。
12、Since I met you，I just know he keep heart。
自从遇见了你，我才知道画彼守心。
13、No man or woman is worth your tears，and the one who is，won’t make you cry。
没有人值得你流泪，值得让你这么做的人不会让你哭泣。
14、The moonlight stands for my heart!
月亮代表我的心!
15、The world’s most precious and not get and has lost，but now I am happy in the hand。
世间最珍贵的，不是得不到的和已失去的，而是现在我在手中的幸福。
16、Collection of wonderful memories，reserved for our sweet testimony。
收藏美好的记忆，留作我们甜蜜的见证。
17、Take away love，and our earth is a tomb。
没有了爱，地球便成了坟墓。
18、You say I am your half，the other half of the happiness。
你说我是你的一半，幸福的另一半。
19、I will protect their beloved person，love for a lifetime!
我会守护自己心爱的人，爱一辈子!
20、I love you not because of who you are，but because of who I am when I am with you。
我爱你，不是因为你是一个怎样的人，而是因为我喜欢与你在一起时的感觉。
21、Thank you for the gentle，when I need you most。
谢谢你给的温柔，在我最需要你的时候。
22、Just because someone doesn’t love you the way you want them to，doesn’t mean they don’t love you with all they have。
爱你的人如果没有按你所希望的方式来爱你，那并不代表他们没有全心全意地爱你。
23、If we believe that true love never has to end，then we must know that we will love again。
如果我们相信真爱永不会终止，那么我们一定将会再次相爱。
24、You are everything when you are with me，and everything is you when you are not。
你在时你是一切，你不在时一切是你!
25、No matter the ending is perfect or not，you cannot disappear from my world。
我的世界不允许你的消失，不管结局是否完美。
26、Your kiss still burns on my lips，everyday of mine is so beautiful。
你的吻还在我的唇上发烫，从此我的日子变得如此美丽。
27、Darling you know I love you till the end of time。
亲爱的你知道，我爱你，直到地老天荒。
28、Every night before going to bed to listen to you say good night，belongs to me，the most simple and lasting happiness。
每晚睡前听你说晚安，是属于我的，最简单而持久的幸福。
29、Time has changed you my appearance，but left a shadow when you love me。
时间改变了你我的样子，却留下了你爱我时的影子。
30、Because of you，my world is so perfect，love you is my only reason!
因为有你，我的世界才会如此完美，爱你是我唯一的理由!
31、I need him like I need the air to breathe。
我需要他，正如我需要呼吸空气。
32、The most wonderful thing is not rainy day but the eaves we stayed together。
最美的不是下雨天励志网pletely right two people，only two hearts accommodate each other。
没有完全合适的两个人，只有互相迁就的两颗心。
[
关于幸福的英文句子大全
]
幸福的句子英文 第2篇
爱情就像一只蝴蝶，它喜欢飞到哪里，就把欢乐带到哪里。
2、Love is blind.
爱情是盲目的。
3、Love keeps the cold out better than a cloak.
爱比大衣更能驱走寒冷。
4、Brief is life, but love is long.
生命虽短，爱却绵长。
5、The soul cannot live without love.
灵魂不能没有爱而存在。
6、At the touch of love everyone becomes a poet.
每一个沐浴在爱河中的人都是诗人。
7、The darkneis no darknewith thee.
有了你，黑暗不再是黑暗。
8、Who travels for love finds a thousand miles not longer than one.
在爱人眼里，一千里的旅程不过一里。
9、A heart that loves is always young.
有爱的心永远年轻。
10、Take away love, and our earth is a tomb.
没有了爱，地球便成了坟墓。
11、We cease loving ourselves if no one loves us.
如果没有人爱我们，我们也就不会再爱自己了。
12、There is no remedy for love but to love more.
治疗爱的创伤唯有加倍地去爱。
13、Where there is great love, there are always miracles.
哪里有真爱存在，哪里就有奇迹。
14、Love is like the moon, when it does not increase, it decreases.
爱情就像月亮，不增则减。
15、Love never dies.
幸福的句子英文 第3篇
关键词：曼斯菲尔德,《幸福》,幻灭
1 Introduction
1.1 Katherine Mansfield’s life and major works
Katherine Mansfield (1888—1923, KM for short) was born in Wellington, New Zealand, into a middle-class colonial family.Her father, Harold Beauchamp, was a banker and her mother, Annie Burnell Dyer, was of genteel origins.She lived for six years in the rural village of Karori.At the age of nine she had her first text published.As a first step to her rebellion against her background, she withdrew to London in 1903 and studied at Queen's College, where she joined the staff of the College Magazine.While at Queen's College in London, she was described by a friend as“a girl of great vitality, impulsive and strong willed”.KM wrote stories for the school magazine and became the editor.
Back in New Zealand in 1906, KM determined that she would become a writer.She had stories published in Australia in the Native Companion, her first paid writing.KM was sometimes closely associated with D.H.Lawrence and something of a rival of Virginia Woolf.Mansfield's creative years were burdened with loneliness illness, jealousy, alienation-all this reflected in her work with the bitter depiction of marital and family relationships of her middleclass characters.Her short stories are also notable for their use of stream of consciousness.Like the Russian writer Anton Chekhov Mansfield depicted trivial events and subtle changes in human behavior.In 1911 KM published her first collection of short stories In a German Pension, which brought her some credit.Prelude came out in 1918, which was a breakthrough for both KM and the short story in English.Mansfield’s collection of Bliss and Other Stories appeared in 1920, which included Prelude and was acclaimed by her contemporary writers and critics.The Garden Party and Other Storied (1922) was the last book Mansfield put to print in her life time, which firmly established her fame as a leading writer of modern English short stories.
1.2 About Mansfield’s writing
Mansfield is so good at showing her own life experience and feelings through her characters of the stories.Relentlessly, she reveals the hypocrisy and superficiality of the middle class and the privileged people, teases bitterly the absurdity in their life.She writes the unhappiness and sunlessness of women’s life as her writing themes.The characters in her stories are quite different from each other in thoughts.They are suffering their misfortune helplessly and desperately.They even don’t know the reasons why their life is so unhappy.In her stories, Mansfield enters the inner world of her characters and expresses their feelings and thoughts, from which we can see the ugliness of the distorted society and the cruelty of the human nature, her love and hatred as a honest writer, her sympathy for the suffering and her protest against the social injustice.At the same time, many characters in her stories are real and round, on whom readers have impressed deeply.
KM's stories are the first of significance in English to be written without a conventional plot.Supplanting the strictly structured plots of her predecessors in the genre (Edgar Allen Poe, Rudyard Kipling, H G Wells) , KM concentrates on one moment, a crisis or a turning point, rather than on a sequence of events.The plot is secondary to mood and characters.The stories are innovative in many other ways.They feature simple things-a doll's house or a charwoman.Her imagery, frequently from nature, flowers, wind and colors, set the scene with which readers can identify easily.
Themes are too universal:human isolation, the questioning of traditional roles of men and women in society, the conflict between love and disillusionment, idealism and reality, beauty and ugliness, joy and suffering and the inevitabilty of these paradoxes.Oblique narration (influenced by Chekhov but certainly developed by KM) includes the use of symbolism-the doll's house lamp, the fly, the pear tree-hinting at the hidden layers of meaning.Suggestion and implication replace direct detail.
Bliss is a modernist short story by Katherine Mansfield, first published in 1920.It was first published in the English Review in August 1918 and later reprinted in Bliss and Other Stories.
2 Unveil Bertha Young’s“perfect”Bliss
In Bliss, Mansfield depicts a vivid picturesque, seemly happy picture of the heroine Bertha, mainly through some childlike behaviors of Bertha.Once opening the Bliss, readers have a feeling that Bertha is a lucky lady because of what she owns.From these following actions, this idea may be confirmed.
Although Bertha young was thirty she still had moments like this when she wanted to run instead of walk, to take dancing steps on and off the pavement, —to bowl a hoop, to throw something up in the air and catch it again, or to stand still and laugh at—nothing—at nothing, simply.
—as though you’d suddenly swallowed a bight piece of that late afternoon sun and it burned in your bosom, sending out a little shower of sparks into every particle, into every finger and toe...
She hardly dared to look into the cold mirror—but she did look, and it gave her back a woman, radiant, with smiling, trembling lips, with big dark eyes and an air of listening, waiting for something...divine to happen...that she knew must happen...infallibly. (Mansfield, Selected Stories Of Katherine Mansfield, 2)
A series of verbs from first paragraph have embodied the inner heart of Bertha.In her eyes, everything is satisfactory, too perfect to be improved.The following description is the inner life of Bertha, including her imagination, recall, and association of ideas and so on.There and here we can see a word:bliss, though this kind of bliss appears filling and reserved.Although every finger and toe of Bertha sends out a little shower of sparks into every particle, they are shut up in a case like a rare, rare fiddle.As the development of the story, Bertha couldn’t help conveying her happy feeling to readers, so no wonder the word“bliss”appears many times in the text.Another use of ellipsis also indicates the uncertainty and hesitation of Bertha about her own bliss.The unfinished words hint the fact that perhaps Bertha has felt something unusual, between the image and the reality, while the paradox of them fail to rise to her consciousness stage really and truly.This belongs to first stage of Lacan’s three levels of human psyche—imaginary period.It can be inferred that Bertha’s psychological age is not in keeping with her physiological age.Subconscious awareness of the contradiction can not rise to real consciousness.That’s why she fails tell the true bliss from reality.
Mansfield surpasses traditional narrative conception in narrative point of view.She often makes flexible changes in persons’standpoint among different narrative perspectives, usually through the use of free indirect speech, and slips from an onlooking perspective into a third person’s limited point of view, with calm and implicit narration.Free indirect speech is a very important writing technique in modern novels, a complicated mode of expression turning to others’language and thinking, which can make people’s speeches subtly melt into narrative discourses harmoniously, and the third-person narrator into the inner world of people unconsciously to reveal their complex psychological activity to readers, to help readers close to the characters’emotion.
At the opening part of the novel, Mansfield makes statements from a third-narrator outside the story and brings readers a navie heroine Bertha.And then Mansfield changes to the position of Bertha, who expresses her own feeling of bliss herself.In a short while readers see things directly through Bertha’s eyes and for a while turn to an onlooker’s perspective silently.
Really—really—she had everything.She was young.Harry and she were as much in love as ever, and they got on together splendidly and were really good pals.She had an adorable baby.They didn’t have to worry about money.They had this absolutely satisfactory house and garden.And friends—modern, thrilling friends, writers and painters and poets or people keen on social questions—just the kind of friends they wanted.And then there were books, and there was music, and she had found a wonderful little dressmaker, and they were going abroad in the summer, and their new cook made the most superb omelettes... (Mansfield, Selected Stories Of Katherine Mansfield, 10)
The narrator continuously focuses on Bertha’s inner feeling, exaggerating her sincere sense of happiness.Bertha’s life seems so harmonious that it should not have any worries or sense unreasonable void.A love-her husband, a lovely baby, a magnificent house, and a group of elegant friends, while the bliss crisis gets out by some hidden details.From the attitude of Nurse towards Bertha, it is obvious the heroine not so happy as it looks.
Bertha loves a girlfriend—Miss Fulton, while on the other hand, Fulton doesn’t give her all to Bertha.Bertha is so happy that she hasn’t to work for living, to take care of baby herself, what she has to do is to buy some purple grapes to bring the table up to the table.Her friends are fashionable, passionate, loveable.Here they are—Mr Norman Knights, being about to start a theatre, Mrs Norman Knights, being keen on interior decoration, talented young poet Eddie Warren, and Pearl Fulton, a sexy and full of mystery, also a girl friend Bertha has fallen in love with.Bertha meets Fulton by chance, however, Bertha thinks they both mentality communicate with each other.So in Bertha’s eyes, the pear tree in the garden just symbolizes her life—bloomy, graceful, beautiful.She sends feelings in scene, or with scene lining feelings.Many scholars regard the pear tree as a symbol of Bertha’s complicated sexual orientation.I prefer to interpret that tree as a kind of spiritual sustenance.The clam but boring life makes the heroine a desire to go after something exiting.
Bertha wanted to ask if it wasn’t rather dangerous to let her clutch at a strange dog’s ear.But she did not dare to.She stood watching them, her hands by her side, like the poor little girl in the front of the rich little girl with the doll.
“Oh, Nanny, do let me finish giving her her supper while you put the bath things away.”
“Well, M’m, she oughtn’t to be changed hands while she’s eating, ”said Nanny, still whispering.“It unsettles her;it’s very likely to upset her.”
“Oh, I must!”said she. (Mansfield, Selected Stories Of Katherine Mansfield, 6)
It is a little ridiculous even the nurse makes light of her.The moment she would like to do something for her baby, she has to ask the Nurse for permission.And it is inconceivable the Nurse hesitates before handing her the baby.But this bliss is quickly destroyed as Nurse comes back.So her obligation to her own baby is deprived by a nanny.If a servant doesn’t respect her master, how can her master be a happy woman, let alone unadulterated bliss.In the story, Mansfield comments in the words of Bertha“How absurd it was.Why have a baby if it has to be kept—not in a case like a rare, rare fiddle—but in another woman’s arms?” (Mansfield, Selected Stories Of Katherine Mansfield, 6) However, at last the lady exclaims“Oh, I must!”and she makes it!This kind of spirit of resistance can be interpreted as her struggle effort to catch bliss.But her In addition, Bertha’s attitude towards her husband is some kind of awe-stricken.On answering her husband’s call, Bertha apologizes for nothing.It is just the details that can reflect deeper.Bertha may feel blissful herself sometimes, or from others’eyes, but just sometimes.Bertha often has a feeling of bliss, and this feeling burns ardently throughout the story.Her cup of bliss is so brimming that she has no other room or any impetus to improve the life for the better.That causes Bertha emotional ups and downs Please look at the example below:
She went into the drawing-room and lighted the fire;then picking up the cushions, one by one, that Mary had disposed so carefully she threw them back on the chairs and the couches.That made all the difference;the room came alive at once.As she was about to throw the last one she surprised herself by suddenly hugging it to her, passionately, passionately.But it did not put out the fire in her bosom.Oh, on the contrary!
“What creepy things cats are!”she stammered, and she turned away from the window and began walking up and down...
“I’m too happy—too happy!”she murmured.
“I’m absurd.Absurd!”She sat up, but she felt quite dizzy, quite drunk. (Mansfield, Selected Stories Of Katherine Mansfield, 10)
When finishing the argue with Nurse, Bertha makes a vent in throwing the cushions in drawing-room.Just a moment ago, Bertha feels well-being but depressed in a short while.This change in mood means the instability of her bliss.All she has nothing to do with bliss but the lady may not realize the reality, but just immerse in the feeling of bliss.She loves her husband, also with a heterosexual desire for him.When facing Fulton, Bertha also springs up a strong feeling of bliss when she takes Fulton by the hand, when they both enjoy the pear flower together.
What was there in the touch of that cool arm that could fan—fan—start blazing—blazing—the fire of bliss that Bertha did no know what to do with?
How long did they stand there?Both, as it were, caught in that circle of unearthly light, understanding each other perfectly, creatures of another world, and wondering what they were to do in this one with all this blissful treasure that burned in their bosoms and dropped, in silver flowers, from their hair and hands?
For ever—for a moment?And did Miss Fulton murmur:“Yes just that.”Or did Bertha dream it? (Mansfield, Selected Stories O Katherine Mansfield, 20)
All these can be counted as a dream of Bertha, at least a delusion, mixing her own affection to female friends, thinking that a kind of bliss as well, perhaps actually it is.When Fulton says“Yes, just that!”Bertha misunderstands that Fulton has the same feeling of the pear tree with her but in fact all those are guessed by Bertha.Bertha regards Miss Fulton such a bosom friend that she does not expect what she gets from Fulton is hypocrisy at the cost of sincerity, and ruthlessness at the cost of passion.Even after Miss Fulton flirts with Bertha’s husband Harry, she still pretends to say goodbye to Bertha, well-mannered and perfectly calm.In the world of Mansfield’s stories, where beauty and goodness are often destroyed by the sudden evil and sinister, all the wreck just happen in a flash only for an incident or a casual action.Bertha’s inflating feeling of bliss for her family, husband, baby, and friends, crashes in ruins because of a casual glimpse, a glimpse at the secret affair of Miss Fulton and her husband.At this time, let’s overlook the whole passage again to unveil Bertha’s bliss.Is Bertha happy?Her husband is an erotic, greedy person.In the work, description on his indulging in food like this“Harry was enjoying his dinner.It was part of his—well, not his nature, exactly, and certainly not his pose—his—something or other—to talk about food and to glory in his“shameless passion for the white flesh of the lobster”and“the green of pistachio ices—green and cold like the eyelids of Egyptian dances”. (Mansfield, Selected Stories Of Katherine Mansfield, 16) Apart from this, Harry doesn’t like children, whom Bertha regards as a source of bliss.There seems to be little real communication and effective sharing of feeling between herself and her husband.
It’s obvious that all these make Bertha awake from her illusions of bliss.If the strong feeling of bliss makes her confused, the scene will make her depressed.The tragedy of Bertha results from herself.She is navie and arrogant.From Bertha, Mansfield shows us that Bertha’s feeling of bliss is just her own illusion.It doesn’t exist in reality.Bertha thinks she has a happy marriage.For Harry’s affair she never notices.On the contrary, she helps them to develop it:“Oh, Harry, don’t dislike her.You are quite wrong about her.She’s wonderful, wonderful.And, besides, how can you feel so differently about someone who means so much to me.I shall try to tell you when we are in bed tonight what has been happening.What she and I have shared” (Mansfield, Selected Stories Of Katherine Mansfield, 20)
On the surface, Harry and Miss Fulton dislike each other;yet it’s only Bertha’s opinion.In the whole story, Miss Fulton never expresses any ideas.Unbearable feeling of bliss lets Bertha completely make a huge mistake.If Bertha is not committed to illusion and her own feelings, she will not notice nothing.
After Bertha finds Harry’s infidelity, she doesn’t question Harry or Miss Fulton.On the contrary, she does nothing.She just cries to her:“Oh, what is gonging to happen now?But the pear tree was as lovely as ever and full of flower and as still” (Mansfield, Selected Stories Of Katherine Mansfield, 24) .Since she still thinks the pear tree is as lovely as before, it seems that she accepts the reality and goes back to her own life for the sudden surprise.She looks at the pear tree again and goes back into her inner world again.In another regard, it can be considered as a good thing at least Bertha discovers the truth herself.After awaking from her dream, Bertha may steps for a better future even where without her husband.She should live a colourful and brilliant life by her own bootstraps, as the bloomy pear tree.
In Mansfield’s narration told in a revolutionary way, readers are expecting Bertha can continue her happiness.Nevertheless, the former thin sense of plot comes to an abrupt end the moment Bertha catches a glimpse of the secret affair between Miss Fulton and Harry.From plot development to language expression, there should be dramatical change.But in Mansfield’s works, no matter the narrator, the heroine Bertha or surrounding nature source, all exist in extremely peace.It is just this tranquilness and objectivity that make us better understand Bertha’s skin-hurt pain resulted from the disillusion of bliss, better experience that subtle and capricious feeling.Mansfield successfully portrays Bertha’s inner world with delicate and exquisite writing.Through writer’s female perspective, ordinary trivals and unknown details, are revealed and illustrated vividly in her exquisite writing style.
3 The Significance of Symbols
Katherine Mansfield is a sensitive observer, who cultivates this sensitivity, and is able to see symbols from objects which to other are not symbols at all.One important characteristic of KM’s stories is the analysis of characters’inner feelings through the use of symbols.Her stories are full of light and color.In her works, Mansfield conveys abstract states of mind or feelings through concrete images.Mansfield tries to always keep her reader aware of nature and her surroundings.Because of this heavy emphasis on nature, Mansfield is able to connect the reader to the inner world, and appreciates on nature in an artistic manner.
First, the title Bliss seems ironical.“bliss”appears many times.Bertha always has the feeling of bliss.Yet is Bertha really happy?In the story of Bliss, all day, in her anticipation of the party, Bertha is overwhelmed by a sense of bliss.Until at last she finds everything turns opposite to what she has expected.
And what has Bertha seen from the pear tree?Mansfield utilizes pear tree imagery throughout the story Bliss as a“symbol of Bertha’s own life”or to some extent, symbolizes Bertha or her state of mind:she is all blooming and happy.Bertha lives with fantasy.She is narcissistic and feels everything in her life is good.Pear tree appears many times in Bliss.The pear tree is in blossom without any pieced flowers, which symbolizes purity, hope, and energy.She is full of hope in her life.The pear tree is the reflection of Bertha’s inner world.Surrounded by happiness, Bertha shows her pleasure completely, forgetting that life is also full of sufferings;just like that flowers will be withered one day.The last appearance of the pear tree at the end of Bliss, “But the pear tree was as lovely as ever and as full of flower and as still.” (Mansfield, Selected Stories Of Katherine Mansfield, 24) Here the symbol of the pear tree has changed, which cries off from Bertha’s inner world and becomes a concrete tree in the garden.The harmonious pear tree in Bertha’s heart is completely broken.On the contrary, the real tree in the garden is blooming regardless of other’s happiness, just a symbol of Bertha’s superficial blissful feeling.
After the pear tree another detailed description on cats impresses me deeply“A grey cat, dragging its belly, crept across the lawn, and a black one, its shadow, trailed after.The sight of them, so intent and so quick, gave Bertha a curious shiver.”This detailed description gives one a sense of ominous, hinting about the love affair of Harry and Miss Fulton.To understand on the other hand, the cats’fast actions mean Bertha’s bliss will go in a moment of doze.In stead of real bliss, what she owns at he beginning is a visionary dream, a dream of being happy as a woman.
Besides those mentioned above, there are still many symbolic objects in the story, such as fiddles, mirrors, flame, jonquils, the yellow dress Mrs Norman Knight wears, Mr Warren’s white socks and so on.All these objects symbolize some implication in the passage.Mansfield depicts a vivid female image indirectly with the help of these concrete things.
4 Conclusion
Bliss reveals the married women’s true lives in upper society They have anything marriage gives them, except the mutual trust respect and loyalty between couple.The marriages they think perfect are actual false impression.The so-called bliss is nothing more than those women’s unhappy, miserable marriage lives which are covered by the coat of bliss.The reveal of the collapse of Bertha’s blissful feeling demonstrates Mansfield’s intension to expose such an ugly truth—the female are badly suppressed in the male-dominated society, and this female writer expresses her misery as well as her hope for a better life in her works.Without a doubt, all the female should learn adamancy, independence from men.Only in that way can they seize the opportunities to live afree, happy life in its true sense.
参考文献
[1]Katherine Mansfield.Selected Stories[M].Moscow:Foreign Lan guages Publishing House, 1959.
[2]成莉.论情感教学对教师素质的要求[J].山西广播电视大学学报, 2005 (6) .
[3]胡翠芬.幸福, 亦或是不幸[J].科技信息:名作赏析, 2007 (22) .
[4]李从容.女性的自我认识与呐喊—读凯瑟琳·曼斯菲尔德的《幸福》[J].长江大学学报:社会科学版, 2006 (2) .
[5]王敏琴, 杨璐.《幸福》中柏莎的心路历程[J].解放军外国语学院学报, 2006 (1) .
[6]杨春红, 郑友奇.浅论曼斯费尔德小说《幸福》中女性幸福感的幻灭[J].聊城大学学报:社会科学版, 2005 (3) .
[7]杨红.从《幸福》中柏莎幸福感的幻灭看曼斯菲尔德的讽刺艺术[J].文教论坛:文学研究, 2007 (11) .
[8]杨俐玲.On Katherine Mansfield’s Women Themes&Writing Techniques[D].武汉:华中师范大学, 2001,
[9]杨向荣, 译.Selected Stories Of Katherine Mansfield (.英汉对照) [M].北京:外文出版社, 1999.
[10]曾秀烨.浅析《幸福》中的细节描写[J].文学与艺术, 2007 (8) .
让状语点亮你的英文句子 第4篇
首先，如果是形容词（短语）充当状语，那么它在句子中所起到的作用有两种情况：一是说明句子的谓语动词发生时主语所处的状态，一是说明句子谓语动词发生的原因。
[例1]He stood there， still， except that his lips moved slightly. 他站在那里，一动也没动，只有嘴唇在轻微地抖动。（still说明主语stood时所处的状态）
[例2]Hungry， they walked into the restaurant. 由于饥饿，他们走进了一家餐馆。（hungry 说明了他们走进餐馆的原因）
写作点拨：巧用形容词（短语）作状语，可把句子由复合句变成高级的简单句。
[例3] 觉得筋疲力尽，我爬上床，很快就睡着了。
Exhausted（=As I was exhausted），I slid into bed and fell fast asleep.
[例4]我熟悉本地的风土人情和文化，并能为客人做相关的介绍。
Familiar with our local custom and culture（=As Im familiar with...），I will be able to make any related introduction to the visitors.
二、简单句也灵动，副词/介词短语显神通
副词/介词（短语）在句子中作状语时，通常表示时间、地点、频度、程度、方式等，其位置可在句首、句中、句末。但当多个状语连用时，一般遵循先单词、后短语；先地点、后时间；先小概念、后大概念的顺序。在英语写作中，灵活地将副词与介词短语相互结合起来，不但可使一个简单句结构更加巧妙，也是学生不俗表达能力的体现。
[例5]He went out of the room at a quarter to 23：00 last night and then disappeared into the dark. 他昨夜22点45分从房间里出来，然后消失在黑夜之中。
[例6]Well gather at the Students Club at 8 pm. this Friday， after the evening classes. 我们将在周五晚上8点，晚自习后在学生俱乐部集合。（2012 大纲卷）
[例7]Id like to invite you to join us for a visit to the nearby nursing home next Saturday for the Double Ninth Festival. 我们想邀请你下星期六和我们一起去附近的敬老院陪老人们过重阳节。（2015 课标卷Ⅱ）
写作点拨一：表示频度的副词放在be动词、情态动词或助动词之后。
[例8]He is always late for school. 他上课总迟到。
[例9]I have never seen such a good person. 我从未见过这么好的人。
写作点拨二：借助评注性状语使语言更简练。
[例10]It is important that many people in our city have come to realize the importance of helping the disabled.→More importantly， many people in our city have come to realize the importance of helping the disabled. 重要的是，我们城市中的很多人已经意识到帮助残疾人的重要性了。
相类似的评注性状语还有：obviously， clearly， undoubtedly， surprisingly， unbelievably， fortunately， unfortunately， luckily， unluckily等等。
三、从属连词架桥梁，句间逻辑更顺畅
在复合句中起状语作用的从句叫状语从句。状语从句由从属连词引导，按其意义可分为时间、地点、原因、目的、结果、条件、比较、方式、让步等。
[例11]只要有趣有益，任何相关的东西你都可以写。（2015 课标卷Ⅰ）
You can write anything relevant so/as long as it is interesting and informative.
[例12]它（Global Mirror 周报）兼顾国内外新闻，以使我能了解到一周发生的一切重要事件。（2011 大纲卷）
It covers both national and international news so that I can learn about all important things that have happened during the week.
[例13]我从小喜爱大熊猫。（2008 全国卷Ⅰ）
I have been a panda lover since I was a child.
[例14]若有任何问题，请致电44876655。（2010全国卷Ⅰ）
Please call me at 44876655， if you have any questions.
写作点拨：恰当运用高级连词可以提高句子档次。
[例15]他一到我们就点亮蜡烛，一同唱响生日歌。（2012大纲卷）
When he comes， well light the candles and sing“Happy Birthday”together for him.
→Well light the candles and sing “Happy Birthday”together for him as soon as / the minute / immediately， directly / instantly he comes.
四、活用非谓语，句式百变、更简练
1. 不定式短语作状语
不定式短语作状语通常表示目的、结果（出乎意料的），但逻辑主语一般是句子的主语。
[例16]听到枪声，他迅速跑到楼下，结果却发现她躺在地板上，失去了知觉。
On hearing the shot， he rushed downstairs， only to find her lying unconscious on the floor.
[例17]我，代表学生会，写这封信，倡议所有的高三学生在高考后捐出自己的参考资料，如旧参考书，笔记本，微型字典等等。
On behalf of the Students Union， I am writing to call on / appeal to all Senior 3 students to donate your reference materials such as the old reference books， notebooks， pocket dictionaries and so on， after the college entrance examination.
2. 现在分词和过去分词短语作状语
分词在句中充当状语时一般表示原因、时间、方式、伴随、结果、让步或条件等，相当于相应的状语从句。
写作点拨：借助分词作状语，一方面可使你文章的句式呈现多样化，一方面也使句子更简练；但是要注意其逻辑主语必须是主句中的主语（意料之中的结果状语例外）。
[例18]听了这个消息，她的眼泪都流出来了。
→When she heard the news， tears came to her eyes.
→Hearing the news， she burst into tears.
[例19]不幸的是，他的父亲离世，这使得他的家庭更加贫困。
→Unfortunately， his father died， leaving his family even worse off.（人教版Module 4 Unit 3中课文中的句子）
[例20]Tracy来电留言说，因有要事，明早咖啡屋见面取消。（2009全国卷Ⅰ）
→Tracy called， saying that she couldnt meet you at Bolton Coffee tomorrow morning as she has something important to attend to.
总而言之，写作是考生综合能力的体现，需要长期的点滴积累（尤其是对课本中重点单词、短语和句型的掌握等等）和在运用中的不断修正，让我们继续努力吧。
很幸福的英文句子 第5篇
2、微笑向暖，安之若素。The warm smile，if the quality.
3、甜蜜的回忆，无法长期营养一个人。Sweet memory is not able to provide a person with nourishment for long.
4、谁能走到时间的前面，帮我看看未来的画面。Who can come to the front of the time, help me find the next screen.
5、微笑转瞬即逝，但有时候，微笑背后的记忆却能永远长存。A smile only takes a moment, but the memory behind that smile sometimes lasts forever.
6、回忆绑住了我们的时间，时间扯断了我们的回忆。Tied memories of our time, our memories of the time tearing.
7、不要哭!就说句“去你的”然后展颜一笑。Don’t cry! Just say “ you” and smile.
8、一个真正的朋友会握着你的手，触动你的心。A true friend is the one who holds your hand and touches your heart.
9、如果你没有经历过别人所经历的事情，就不要去评判一个人的过去!Don’t judge someone’s past, when you haven’t walked their journey.
10、回忆本来是非常美好的，只要你能让过去的都过去。Memory is a wonderful thing if you don’t have to deal with the past.
11、幸福不是得到你想要的一切，而是享受你所拥有的一切。Happiness isn’t getting all you want.It’s enjoying all you have.
12、要努力使每一天都开心而有意义，不为别人，为自己。Strive to make every day joyful and meaningful，not for others，but for myself.
13、我知道，我会努力檫干眼泪。可是，可不可以先让我放声哭泣，才继续勇敢?I know I will wipe my tears hard.But can I cry out before carrying on?
14、从今天开始，每天微笑吧，世上除了生死，都是小事。Starting today，every smile，the world in addition to the dead，are is too small.
15、故事的最终，我只能一个人望着天空回忆那年遗失的美好。Story eventually， I can only one man looked at the memory of the nicety lost.
16、时间就像是影子，很少会有人低下头来仔细观望。Time is like a shadow， and few people will lower the head to look on.
17、我们永远不会像自己所想象的那么幸福，也永远不会像自己所想象的那么痛苦。We are never so happy nor so unhappy as we imagine。
18、我过得还可以，不好不坏，不惊不喜，一切只是还可以，这样的生活我觉得也挺好。I’mdoingokay，notgreat，notamazing，nothorrible，justokay。Andthatisokay.
19、在幻变的生命里，岁月，原是最大的小偷。In the end, the greatest thief of all is time.
20、小时候，幸福是件很简单的事;长大后，简单是件很幸福的事。 When we were small, happiness was a simple thing. After we have grown up, simplicity is a very happy thing.
描写幸福的英文句子摘抄 第6篇
2、He who can conceal his joys is greater than he who can hide his griefs.
能隐藏欢乐的人比能隐藏悲痛的人更了不起。(瑞士作家 拉瓦特)
3.I like the laughter that opens the lips and the heart, that shows at the same time pearls and the soul.
我喜欢能不开启双唇和心扉的笑声，喜欢能展示皓齿和灵魂的笑声。(法国作家雨果)
4.I never condider ease and joyfulness as the purpose of life itself.
我从来不认为安逸和欢乐就是生活本身的目的。(美国科学家爱因斯坦)
5、I wish to preach, not the doctrine of ignoble ease, but the doctrine of the strenuous life.
我愿宣扬的信条是艰苦奋发的生活，而不是卑微低下的安逸。(美国政治家罗斯福.T.)
6、It is a curious fact that in bad days we can very vividly recall the good time that is now no more; but that in good days we have only a very cold and imperfect memory of the bad.
奇怪得很，人们在倒楣的时候，总会清晰地回忆已经逝去 快乐时光，但是在得意的时候，对恶运时光只保有一种淡漠而不完全的记忆。(德国哲学家叔本华)
7、Your love gives me the feeling that the best is still ahead.
你的爱让我相信我们的未来会更好。
8、How many dream had, and never came into my heart.
多少梦幻的曾经，也不曾走进莪的心。
9、If we believe that true love never has to end, then we must know that we will love again.
如果我们相信真爱永不会终止，(www.lz13.cn)那么我们一定将会再次相爱。
10、You and me together, we can make magic.