荒原上的黄昏随笔（精选3篇）
荒原上的黄昏随笔 第1篇
我的心不是荒原-心情随笔
春雨洗去尘埃，天空格外明净，阳光射进窗子，房间里透着春光，霎时让心情变得明媚起来。此刻，坐在电脑前敲击键盘，任思绪如飞，在三月天发芽，绽放出心灵之花。
我喜欢万紫千红的春季，那是因为春天令万物复苏，让荒原变绿。可这个春天却是走走停停，迟迟不见草长莺飞，反倒使人的心情像一块久搁的荒原，怎么也提不起精神来。是啊，最近单位的事情太多，一茬接着一茬，以致不能静下心来读书，也无法让自己的文字多一些生气。刻板式的思想，应酬式的写作，我越来越不习惯那些“八股文”，可又不得不为生计谋。心累了，思维几近枯竭，写作少了灵气，便在消磨时光中陷入迷失。然而，有一种声音犹在耳旁响起：向前走，不要放弃。写作本是寂寞的事业，要苦其心志劳其筋骨。惟如此，我们才能进步，美化文字。我想，这是心的感召，也是灵魂的激励。我不能停下脚步。
于是，我坚守着，在内心种植阳光。夜深人静时，只听键盘的声音，便开始与心灵进行对话。《让心儿静一静》，我把人生的感悟结成了《生命的独语》;放飞一下《行走的心情》，我独自《捡拾光阴的碎片》;在春寒料峭之际，忽然发现还有《另一种阳光》在照耀我们。啊，原来是《中华书刊》的引导，可以让我敞开胸怀，触摸生活，去观赏文学的风景。这样，在学习与写作中，我找到了人生新的支点，是写作让我燃起了希望，找到了自信。犹如走出了阴霾，一个别样的春天何其美丽!蓝天、暖阳，令万物有了勃勃生机。我忽然发现自己的`文字好像也充满了活力，在春阳里抽出新枝。前天，当我收到第3期《金融队伍建设》，那篇曾为《中华书刊》同题而写的《拾阶而上》赫然变成了签字，我的心如花开一样浪漫，也有了暖意。另有一些文字，散见于单位的内网及相关媒体，几度春秋，同事们给我的是鞭策与激励，他们总是希望能多看到我的那些励志文字，并且有人对我说，你的文字透射出阳光心态，给人一种向上的力量。每每此时，我总是深感惭愧，觉得自己的文字还只是停留在一个小学生学步的阶段，正在以作文的方式逐渐长大。春华秋实，还需要坚持不懈的努力。
如今，再读那些曾经敲出来的稚嫩的文字，我的心没有了荒原。但我却令我有了一种使命感，一种责任感。我相信自己的文字会与生命同行，更希望能够用文字留住生命的春天!
荒原上的黄昏随笔 第2篇
1 寄情于心理世界的爱情
爱是什么?相信每个人都有自己的认知,都有自己的答案,都有自己的界定。艾米莉对爱情的认识是纯粹的、纯洁的、神圣的、不可玷污的。艾米莉的爱情世界只有她自己懂,她爱的炽热,爱的义无反顾,她投入的是纯粹的情感,而与性无关。她要的是精神之恋,要的是心理世界的关爱与牵挂。但是艾米莉的性格使她最终走向封闭,爱的路越走越窄,最后路尽了,只剩下她自己。诗歌成为她情感的另一个宣泄口,也是她性格的力证。艾米莉写着写着,她的心痛了,从开始的充满希冀,到后来的坚持,最终的放弃,再到很久很久的后来,她释怀了。她写着写着,她哭了;我们读着读着,仿佛走进她的那些年。
艾米莉经历过爱情,那是一段需要极大勇气、获得成功几率很小的邂逅的爱情。她与这位已经有家室的男子———沃尔沃斯,保持了长达八年的通信路程。她本身就把恋情想象地无限美好,就像那初绽的莲,不妖娆,不风情,但是现实是药,用的好,会清醒;用过量了,就会有很大的副作用。突然的某一天,沃尔沃斯断了一切的联系,艾米莉受到了极大地失落与打击。从心理学角度出发分析,当然只是猜测,艾米莉的精神依赖,精神惯性让她突然失重,她需要很久很久才能适应,她内心是非常脆弱地、很不强大,于是她选择了逃避,逃避到自己的一个小小世界里。让我们走进她的诗歌来重温她的爱情之路。
在《玫瑰在她面颊上欢跳》里,艾米莉这样写道:玫瑰在她脸颊上欢跳———她的紧身衣起起落落;她愉快的话语—像醉汉,可怜地蹒跚走过;她的紧身衣似的背心,舞动———和着神仙的曲子———直到这两只不安的小钟,嘀嗒嘀嗒地轻轻走到一起。多么欢快的心情,是不是那个找到了水晶鞋的姑娘,偶然拾到了爱情的珍珠呢?小鹿撞心的感觉,艾米莉深刻地感受过的。在《我与他同住———我看见他的脸庞》里:我与他同住,我看见他的脸庞,我不再离去;无论是因为来访者,还是因为夕阳;死亡是单独的秘密,是唯一抢先于我的秘密;而且,他有权建议,一项看不见的需求,不将婚姻生活—授我;我与他同住,我倾听他的声音,我充满活力;今天,为了去见证,永生的必然;时间教给我低等的方式,深信每天———这样的生活,永无休止,不管怎样,须作出裁判。这不是现实中的同住,而是精神世界的居住,她想做某人的新娘,想过主妇的生活,是否她想过有个孩子,也许有过。但是这全部是虚拟地,心理渴望的,现实中她却又不敢去真正触碰的,性格酿就了情感之殇。她在著名的《在死之前,我的生命已经结束了两次》里:在死之前,我的生命已经结束了两次;永恒会不会向我展示第三次,尚有待证明,无限又无望地去构想,就像前两次那样。死,是我们都需要地狱,虽我们知道天堂。从这首诗歌里,诗人表达了恋人离她而去,她的内心无限悲痛,可是独独是恋人的无情么?不是,艾米莉的性格也起到了至关的作用,恐惧真正地爱情,让恋人离去,八年的通信,沃尔沃斯也是同样渴望,到了最终的灰飞烟灭,丧失了最后的幻想,于是他选择了彻底的逃离,空留下艾米莉。但这就是艾米莉,也是她性格魅力所在,否则,她不会用血写下一首首爱情诗歌,也不会有这样的令人拍案的诗歌遗产[1,2]。
2 寄情于自然
自然给予我们生命、食物、绿色;同时也给予诗人灵感的维度,思想的空间。既然情感已不可得,投身于自然,感受喷薄的生命,也是另一种最佳的选择。于是艾米莉的诗歌里,有了大量的关于自然的吟咏。自然不过是诗歌的载体,参照物,更多的是诗人寄情。艾米莉身居一隅,却用全部身心去感受自然的美好,自然的力量,感受造物主的恩赐!
在《太阳———刚刚触摸到清晨》里:太阳———刚刚触摸到清晨;清晨———快乐飞扬;假象他若来此居住,生活是一派春光;她觉得自己无人能比———飘逸、空灵、向上!今后———对于她———多美的节日!此刻,她拥有轮转的君王!在这首诗里,艾米莉将太阳拟人化,用触摸清晨的方式,衬托自己乐观的心情,寄情于物,她就是自己性格里的太阳,君王[3]!
在《青草只做这点事》里:青草只做这点事,一片纯绿的存在———让蝴蝶来孵卵,把蜜蜂来款待———;它整日摇动,应和着,清风吹来的快乐小调———把阳光揽在膝头,对万物鞠躬弯腰!在这首诗歌里,艾米莉将细腻的性格展现的淋漓尽致;诗歌清新,会仿佛有一种青草的气息吹面而来,诗歌里用青草、蝴蝶、蜜蜂、阳光组成了一副精致的画面,灵动、深刻!
艾米莉的自然情趣小诗很多,她性格里那种极端细腻的风格在诗里得到了彻底的展示!
3 寄情于希望与坚强
艾米莉的诗无所不包,对于未来和坚强也是有大量的描写,将她性格里的坚韧及对未来的幻想和渴望铺展开来!
在《假如回忆是忘记》里写道:假如回忆是忘记,那么我不再记忆;假如忘却即回忆,我几乎已经忘记;假如思念是乐事,假如哀悼是欢笑,那么采撷这些手指,是多么愉快!诗人有着太多的丰富情感,情感的堆积在时间的冲击下,已然变得豁达,欢乐与痛苦,在诗人看来都是等价的,都是生活赐予地经历,丰富了她的生活[4,5]。
在《受伤的鹿———跳得最高》里:受伤的鹿———跳得最高;我听猎人这样说,那只是死亡的极度欢乐;受击打的岩石喷出石浆!被踩压的钢板跳动不停!脸颊总是更红,正因潮热引起了灼痛!欢乐是大悲痛的铠甲———它小心地用欢乐来武装;免得有人窥见鲜血,就大叫“你受了伤!”。看吧,这是诗人对于曾经遭受痛苦的一种质的蜕变,一种呐喊,痛苦算什么呢,痛苦中爆发的正能量是无可阻挡的,即便是阴霾、命运的泥石流也阻碍不了前进的步伐,诗人就是具有坚韧的心!
在《回望时间———带着慈和的目光》里:回望时间,带着慈和的目光———无疑他已经使出全部的力量———多么轻柔地、颤抖的太阳,沉落于人类天性的西方。这首诗,体现了诗人的一种进境,安详、不具有暴风雨,不哀叹不公,不悲鸣过去,沉静,祥和!
《一百年之后》里:一百年之后,没人知道这地方;曾经上演的痛苦,宁静而安详;欢快的杂草蔓生,陌生人来此探访;拼读着墓碑上孤寂地字体;夏季田野的风,回想起那条路径———本能地拾起记忆———丢下的钥匙———[6];诗歌终了曲未终,曲终人不见,江上数峰青。昔人已逝,空余诗香,咏叹回味无穷,遐思无尽。生命的历程也是如此,曾经痛苦的,时间会抚平;曾经风光的,岁月会剥落,最终归于平静,而时间的河流缓慢流淌,正如孔子曰:逝者如斯夫,不舍昼夜!
4 结论
诗以言志,诗歌就是诗人个性、灵魂展示的舞台!每个诗人都是独一无二的,因此他的诗歌也是唯一的。只要是积极乐观向上的,就都是好的诗歌!从诗歌里,能够看出一位诗人的性格特点,也能够从诗歌里,还原其性格的真实一面!
摘要：艾米莉·狄金森是美国独一无人的女诗人,她独特的性格,成就了她传奇的经历,也铸造了她诗歌方面的辉煌。本文从艾米莉的诗歌里去还原她的性格,读出她性格魅力的所在。
关键词：艾米莉·狄金森,性格,记忆
参考文献
[1]艾米莉·狄金森.狄金森诗歌选[M].北京:中国编译出版社,2013,8.
[2]张百茵.艾米莉·狄金森的鲜花诗歌[D].北京:北京邮电大学,2008:24-45.
[3]王如晨,余秀华.一个苦闷时代的符号[J].记者观察,2015:36-38.
[4]马静.狄金森诗歌中表现出来的自我意识[D].西安:陕西师范大学,2012:35-60.
[5]唐思思.孤独是迷人的[J].学理论,2013:220-221.
荒原上的英雄 第3篇
【Key words】Catch-22； Joseph Heller； a hero on the wasteland
I. Introduction
Catch-22 is one of the representative works of American “ Black Humor” and the first novel written by Joseph Heller （1923-1999）. This novel has ever been regarded American best novel， which reflects the Second World War. In fact， the meaning of this novel has gone far beyond the category of the war， even expanding to the whole human existing situation as well as the whole American society. The author， by adopting an air force base on a small island off Italy as the stage and the end of the Second World War as the background， describes a large group of different absurd and abnormal characters with the technique of Black Humor. The Protagonist， Captain Yossarian， is the center of consciousness in this story， and is also one of the characters best presented. In most existing comments， Yossarian is normally looked on as a “coward” and an “anti-heroic figure”. These comments are partially true at first sight， however， if viewed from another perspective with a careful research on the details and background of this novel， it should be pointed out that Yassarian is a “hero on the wasteland” rather than a “coward” depicted in the conventional sense.
II. The Review of the Novel
This novel depicts the No. 27 American bomber group stationed on a small island off Italy to resist the invasion of the Nazi Germany during the Second World War. In this small world， all is crazy， irrational and despairing. Absurd things happen one after another on this stage： Colonel Cathcart's constant increase of the number of missions； the person still alive is declared dead whereas the dead is still alive on the official list； the person never poses questions is allowed to ask at the meeting； one major only permits his inferior to see him in his office while himself is not in. In order to escape from this irrational and crazy world， Yossarian， as a bombardier， spares no efforts to save his life from danger. But every attempt only results in being controlled more tightly——due to the confusing military term ： Catch-22， which regulates that anyone who is crazy， should get out of combat but he should ask for permission by himself； if he asks， he would be no longer crazy and would have to fly more missions ——because a concern for ones own life proves his sane. The catch is used by the superior powers to uphold and increase their power， and yet it is harmful to those who do not have power in the first place. Colonel Korn and Colonel Cathcart， regardless of the soldiers life， crazily increase the flying mission numbers to advance their own careers and personal gains. In order to avoid misfortune， Captain Yossarian seeks to protect his own life by fleeing to the hospital， since catch-22 prevents him from either being grounded for illness or obtaining a leave， and finally he has no other choice but flee to Sweden for a new life.
III. The Social Background
This novel tries to reveal not only the autarchy and corruption of the American army but also the various absurd phenomena in modern American society through the description of the absurd and irrational relationship between the officers and soldiers in the air force group. At the end of the World War II， many persons strived openly and secretly for their own interests and favorable positions， many conflicts emerging. After the war， Korea War and Vietnam War happening one after another intensified the conflicts existing in American society， lashing American traditional value and cultural system. With the rapid development of the capitalist industry， the world was found not only irrational and disorderly， but also ridiculous and absurd. People feel disappointed and incapable with the social reality. The fantasy of the ideal， the loss of the faith and the confusion of the morality are the typical characteristics of this American generation in which Yossarian is one.
IV. The Image of Yossarian
1. A Man of the Age
Specific age makes specific hero. Every age has its own hero. Yossarian might not completely accord with the conventional heroic figures， not amounting to the incarnation of the justice， the herald of the peace and the warrior of fearless brave. But what he has done， in such an absurd world and on such a spiritual wasteland， shows his kindness， bravery， intelligence， compassion and insight in comparison with the inhumane dominators and ignorant soldiers. He is eager for life， never abandoning the hope of living on； He can resist the temptation of material interests， refusing to cooperate with the dominators； He is a man of integrity， able to see the essence of the war. Among this group of mad persons， he can really be thought as “the only level-headed among the heavily drunk group”.
2. A Man of Dignity
Certainly， Yossarian is afraid of death， afraid of being dead unknown， being dead valueless and meaningless for those persons such as colonel cathcart. He often thinks of those comrades who waste their life meaninglessly， such as Clevinger， Mudd， Nately， the soldier in white， etc. What leaves Yossarian a deep and striking impression is the death of Snowden. Finding Snowden with a thigh wound and the tail gunner in a faint， Yossarian had almost panicked. All snowdens internal organs slid out onto the floor from a major chest wound. After vomiting， Yossarian looked back at the young man and experienced a profound realization of the nature of mortality： Human beings are materialized and life is very fragile. Nevertheless， the cruelty of the war doesnt make Yossarian irrational or self-abandoning. He still holds on with boiled blood， fighting for the dignity of life.
3. A Man of Intelligence
Yossarian is a man of intelligence and strong will power， unwilling to be controlled by destiny. He has enough courage to do some earth-shaking business. However， he is very prudent and rational. He clearly realizes： in the world dominated by Catch-22， any radical resistance is undoubtedly in vain just as using an egg to hit the stone. Instead， Yossarian often plays some jokes with the dominators by using his intelligence and strategic plans， such as fleeing to the ward， taking evasive action during his flights， secretly moving the bombing route on the map， putting soap into the soldiers food to delay campaign， etc. All of these leave the dominators quite annoyed.
4. A Man of Compassion
Yossarian is also a kind man with strong compassion. He never looks down upon those inferior to him. For instance， he makes proposal to a whore named Luciana. When he sees a long scar on Lucianas back， he feels himself almost broken-hearted， falling in love with her instantly. When he finds another flyer kills a maid after raping her， he reproaches him for his cruelty. In Yossarians eye， whores are also human beings and should be treated equally. But to his disappointment， the police doesnt arrest the flyer that kills the maid， but arrest Yossarian for his stay in Rome without a pass card. Yossarian also helps Natelys whore to find her sister. In that inhumane war period， most people become indifferent and sackless. Its extremely praiseful that Yossarian still keeps warm-hearted and compassionate.
5. A Man of Conscience
Yossarian is a man of conscience who is not greedy for money and fame. Even the skeptical Milo Minderbinder trusts him， willing to tell Yossarian his secret of speculative business. Milo thinks Yosarian would be an honest and trustworthy partner. Of course， Yossarian would never help Milo do harm to others. He has ever had noble ideals with great zeal； however， it is the cruel social reality that changes him， compelling him into a situation in which he only strives for life. The dominators try to make a deal with him that will allow him to no longer fly any missions but be ethically repulsive to him. They promise to send him home as long as he likes them. If he does not give in， he will be court-martialed for being involved in black market practices. Yossarian protests against such wrongful accusations， deciding to escape rather than cooperate with the Cart carts. Moreover， Thus we can see Yossarian is a man of conscience. He rejects such a kind of dirty deal， retaining his dignity as a man.
V. Conclusion
All these absurdity， indifference and cruelty are perceived and borne in mind by Yossarian. Although he is courageous， intelligent and righteous， he cannot overcome that dominating “catch-22” which can be interpreted freely. This regulation， as a matter of fact， is a trap that men can never escape from. The world around him is of injustice and inhumanity. Any radical rebellion will be doomed. Confronted by a group of crazy persons， even a hero fails to put his ability into good use. It is true that what Yossarian has done is dwarfed by those great and glorious heroic figures depicted in the conventional sense. However， on this spiritual wasteland， he still keeps his rationality， his lust for life， his pursuit of love and his sense of compassion. He deals with the dominators strategically， and eventually launches a silent rebellion against the existing system by escaping， leaving to seek a new life in Sweden. Hence he can be viewed as “a hero on the wasteland”.
References：
[1]Heller，Joseph.Catch-22[M].New York：Simon&Schuster， Inc，1955.
[2]Bailey，Nicholas· Catch-22：[notes]/ notes by Nicholas Bailey[M].London：Longman York Press，1987.
[3]李宜燮，常耀信.美國文学选读[M].天津：南开出版社，1991.
[4]钱满素.美国当代小说家论[M].北京：中国社会科学出版社， 1987.
[5]成梅.《第二十二条军规》之续集《终了时刻》综论[J].四川外国语学院学报，2002.3.