第一篇：电视剧越狱观后感
电视剧《越狱》观后感
假期里用了将近二十天的时间终于把近八十集的《越狱》看完了。这部每集都像电影的电视剧用曲折惊心和出人意料的情节在首映当天就吸引了1800万的观众。看《越狱》，你往往会比剧情里的人物更加紧张。然而之所以喜欢这部电视剧并不只是因为它的情节，已往很多优秀的国产电视剧也有很好的主题，曲折的情节，动人的场景，但找来找去却想不出有哪一部可以和《PRISON BREAK》相抗。其他的很多电视剧几乎都是用全剧来烘托一个主题，讲述一个不变的道理，而《越狱》却不是，它的每一个情节，每一个插曲都有值得思考的东西。因此我现在以观后感的形式写了这篇日志，来与大家分享一下我看这部电视剧的感悟与体会。
感想一：世界上有很多不公平，这是事实。
社会上的贫富差距等诸多不平等因素是造成好人变坏直至入狱的很重要的原因。由于社会体制的不完善产生的阴面影响把一些人逼上了绝路，他们不得不另辟蹊径，走出一条能使自己过得好一点过得下去的道路。没有谁愿意成为罪犯，促进罪犯长成的种子是由多只“黑手”共同植育的。对于监狱里的罪犯，无论他曾经是抢过银行，杀过人，还是卖过毒品，我认为他也仅是一个牺牲品。我们往往在惩治犯人本身上下了不少功夫却很少去思考是什么促使了罪犯的产生，什么样的环境助长了其不断成长。只要细究下去也许你就会发现一个很可怕的现实——正是我们这些自认为善良普通的人把他们逼上了绝路;正是这不公平的社会为罪犯开辟了土壤。
感想二：受伤害的总是善良的一方?!
也许正是因为我们往往同情善者关注善者，当他们有了一点不幸和伤害就觉得受伤害的总是善良的一方。《越狱》中有那么几个被认为“恶者”的角色最后都“升华”成善者了。在他们的世界当中也有着常人的苦恼与悲伤，当面临绝境时他们所想到的也是一些美好的东西。有时候被认为可恶的人也正是最可怜的人。受伤害的不总是善良的一方。
感想三：任何地方都有一些潜规则，这你不一定非要遵守
贸易，职场，校园，监狱甚至政界都有一些潜规则。如镜的湖水下是激涌的暗流。对于进入新环境的新人来说最需要的就是先安稳下来，然而实际情况往往并不会如你所愿。每一个地方都有着自己的潜规则，若想在此安稳的待下去你就不得不遵守。但并不是任何情况下我们都得委曲求全。有时候牢笼的打破所需要的就是自己的一点倔强与坚强。
感想四：帮助别人就是帮助自己
帮助别人就是帮助自己，这一点我是绝对赞同的。天底下最重要的人就是需要你帮助的人，这句话出自一个寓言故事，其实我并不怎么同意这个观点，但它也说明了助人的必要。我们不是独来独往的兽，而是团结协作的人。离开了社会，离开了群体我们无法生存。社会属性是人之所以为人的一个很重要的属性。帮助别人就是帮助自己。今天你帮助的人很可能就是明天助你成功的人。
感想五：计划永远赶不上变化
谋事在人成事在天。很多时候我们计划的很好很完美，但到了实际当中往往会有意想不到的新问题出现。这就要求我们在行动之前多做一些打算和设想。大多时候我们会凭经验办事，通常情况下这是可行的，但也不能绝对的依赖经验，
毕竟一切都在变化。我们失败的原因一般有两种，一个是经验不足，一个是经验过多。计划赶不上变化，只有变才是不变的。
感想六：关于好心没好报
一直以来“善有善报”都作为着我们的一则信条。然而事实却是好心不一定有好报。你用躯体救醒了冻僵的蛇，它却反过来咬你一口;你救起了溺水的蝎子，它却回头狠蛰你一下……好心却换来了恶报。等到下次遇到了“冻僵的蛇，溺水的蝎子”你该怎么办，撒手不管吗?我想说的是：善良是你的品质，进攻是它的天性。不要因为别人“蛰了”你一下就从此放弃自己的善良。好心不应是为了求“报”。更何况根本没有人会对出于帮助自己的好心人而主动进行攻击。
感想七：叛徒没有好下场
在监狱里安安稳稳的度过一天不是一件容易的事，无聊者总是想方设法找他人麻烦。要想过好每一天你只有两种选择一是屈服，二是找靠山。由此监狱里便有了帮派。志同道合也好委曲求全也罢，既然加入了团队就要为团队服务，千万不要吃里爬外作叛徒。坚固的堡垒从里面最容易被搞垮，你出卖了自己的前任你的新任也不会看好你。无论是敌方还是我方没有哪一方会喜欢叛徒。
感想八：从来没有小人物
有一则伊索寓言讲了一头狮子被一只蚊子弄死的故事。强悍无比的兽中之王雄霸一方却被一只弱不禁风的蚊子弄死了，这其中的道理是相当深刻的。《越狱》中很多次的计划都因某某小人物而不能继续实施，也有不少即将告成的因为某一小人物而差点功亏一篑。纵观历史又有多少大事记是因小人物起落。其实根本没有小人物，虽然我们觉得人与人之间有很大差距，但事实上我们都一样，也许是因为位置放错，才让我们觉得人有高息贵贱之分。其实从来没有小人物，只有放错了位置的人才。
感想九：从来没有一种成功是属于一个人的
越狱的成功与每个参与越狱的人都分不开，在相同目标的驱使下这个特殊的团队用集体的力量与智慧逃出了狐河监狱。而接下来的逃亡也因他们集体分散为个体而一一被捉。再到最后，这几位特殊的老相识又重新“聚”到一起共同完成了搞垮“公司”的任务，无一不显示出了团队的重要性。一个中国人赶不走日本鬼子;阿姆斯特朗独自也登不上月球。如今团队协作精神更是越来越重要，因为我们相信团结就是力量。
感想十，两种威胁
《越狱》也好，其他电视剧电影也好，“威胁”总会要出现。无论何种威胁，归纳起来你就会发现：其实只有两种。一种是给你“你不想要的”，一种是夺走你“你想要的”。第一种在监狱里是最常见的。一切你想到或者想不到的整人方法危逼着你乖乖的听他们的话。第二种，他们往往拿你所爱的人或者是物来威胁你，这种方法往往是聪明的坏蛋用的。一个是“可怕”的，一个是“渴求”的。而懦夫往往会倒在第一个威胁面前。
感想十一，一样的痛苦
让一个好人干坏事儿和让一个坏人干好事儿，也许这一过程中两者有着一点相同的东西。从T-Bag决定放走那个传教士时眼神中，你可以看出他是多么痛苦。而当面对恶势力的威胁要你去出卖朋友时，你又会是怎样的感受?无论是从门外走到门内，还是从门内走出门外，最初都会有一种不适应感。
《越狱》中也许最令人称道和敬佩的当属男主角Michael了。犀利而自信的眼神，天才的头脑，稳健的步伐，周全的计划，随机应变的游刃有余，对待兄弟
的有情有意……然而我并不想 在此评论他。因为他不是人，这样说是因为现实中这样的一个人是不存在的，他只是一个集合体。
人物点评——T-Bag(全名TheodoreBagwell)
从狐河监狱完整的逃脱，最后又回到狐河监狱，这之间T-Bag付出了一只手的代价。在电视剧《越狱》中，最让人恐惧与恶心的莫过于背包T-Bag了。身背六起绑架、强奸、一级谋杀的T-Bag被判终身监禁。T-Bag悲剧一生的产生与其家庭有着很大关系，他是父亲在强奸了自己弱智的姐姐后出生的，再加上父亲不当的家庭教育让T-Bag很小就变得具有暴力倾向。
然而对于T-Bag我却有一些的敬佩，敬佩他不断与命运抗争的精神。它更像是一个不太开化(这么说有些委屈他了)只为生存的原始人类。《越狱》中最倒霉的要数菲尔南多·苏克雷，而T-Bag与他也不相上下。然而每次遇到“劫难”T-Bag总是毫不犹豫的去应对，而且每次都以自己的方式(虽然大多数情况下其方式很不恰当)顺利解决。对于复杂的情况，T-Bag可以说是随机应变的大师。当发现Michael的越狱计划后一直视Michael为敌人的T-Bag马上转口说这是“咱们的计划”。另外T-Bag也是演讲天才和幽默大师。当监狱的通风扇被Michael故意弄坏导致整个狱室热的不行的时候，T-Bag指着一个黑人对狱警说：看看这个家伙，今天早上他还是个白人呢!
T-Bag也有自己脆弱的一面。曾经两次T-Bag决定改过自新。当T-Bag再一次遭到自己所爱的人拒绝的时候他痛苦的落泪了。也许那时他真的很后悔，后悔自己曾经的所作所为，后悔一切都不能再挽回，后悔自己已经没有资格再请求原谅。但这时一切都晚了。
T-Bag的结局算是比较“圆”满的了，从监狱里逃出最后又被送回监狱，算是度了一次有意思的长假。
经典台词
对于一部电影来说，一些经典的对白往往会流传下来。而《越狱》中的经典对白则是多的数不胜数，是一个人物就能随口来几句经典语录。在此我也不多举了，只把其中我印象最深的一句那来与大家分享吧。当被公司威胁与追杀的联邦探员找Alex求助时，Alex说：我追踪的都是强奸犯，杀人犯，退役军人。但是一个结构工程师就把我搞定了。知道为什么吗?因为他没有逃跑，他主动出击，我成了他的目标……所以你要像他一样。
我很欣赏这句话，这句话也很恰当，很准确的概括了Michael的为人。整部《越狱》就是一册选择题，这里面充满了各种各样的抉择。而在面临每个抉择时Michael所表现出来的始终是不抛弃不放弃的精神。当在面临于妻子(已怀有自己的孩子)和兄弟(刚得知其并不是自己的亲生兄弟)之间的抉择时，Michael选择了两者，成功的选择了两者。我们很多人都想知道，很多人也想知道我们在面临两个至亲的人时会选择哪一个。Michael作出了回答，在他心里他所爱的人都是唯一的，没有重要与更重要之分。而他的信条就是只要是我所爱的，我就要去保护就要去拯救。在漫漫人生路上我们有太多的东西要面对，高兴的，糟糕的，精彩的，恐惧的，悲伤的，无法接受的……许许多多的要面对的东西在等着我们。通常情况下你可能会轻松或者稍微费力地把问题解决，但总有一些抉择会让你退步，让你不敢面对。然而在面对一个又一个艰难的抉择和一个又一个不断逼近的恐惧现实时Michael没有选择逃跑，他选择了勇敢面对，他主动出击，从猎物变成了猎手，从根本上解决了问题。这正是我所敬佩和我们所应该学习的。
第二篇：越狱英文观后感
Never Give Up
I always thought that TV series was not my cup of tea ,
because It is too long to finish it. And it will take up a lot of time. But yesterday I found an amazing TV series called Prison Break. It is the most interesting TV series that I have ever seen. You will never guess what will happen in the following time. Don’t you think so?
Prison Break revolves around two brothers. One named
Lincoln burrows who had been sentenced to death for a crime but he did not commit. And the other one named Michael, a genius engineer, who devised an elaborate plan to help his brother escape prison. He prepared everything perfectly for three years. He pretended to rob a bank for going into the prison, he wanted to save his older brother who was framed up and nearly to receive death penalty. The prison is Fox River. Security is very heavily. It is known to all that it should be a team work, and Michael
succeeded at persuading the people he needed to do him a fever. It is really a hard job but Michael carried out it! Although Michael happened to meet plenty of accidents and admitted several extra men who were out of the plan, he was intelligent, calm, decisive, kind and has a charmed personality so as to control the general
situation. The most excellent point is every step Michael did to escape from jail. All the things must be done in three months, or his brother Lincoln barrows would be sent to the electric chair. How tensional it is! Next he according to my plan implemented step by step. But things were not so simple. It is becoming more and more complex. But finally Michael came over all the difficulties and escaped successfully from this Prison.
This story is too attracting my eyes. So when I got up, I opened the computer as soon as possible. I imagined Michael was on my side. I could think with him, I watched it all the Sunday. He let the role to life. He teach me what the honor is, he show me what the intelligence is. This TV series let me know set a goal in life, how to careful planning and implementation. Our daily life has a lot of ideals or dreams in life, but many just stay on the level of imagination and hope, to implement and realize the real
accounts for only a small part, needing careful planning knowledge and learning, and the perseverance, never give up in order to put those seemingly impossible looking at and reach the dream, in accordance with the plan to constantly near until the final
realization! It teach us to learn life, truth, science and many other useful things. All of these will over, everything goes to be ok. Yes, It do teaches me a lot.
第三篇：越狱剧本
《越狱》
———
一场华丽的冒险
孙一翔
06124202
第一集故事梗概：
Michael Scofield的哥哥Lincoln Burrows被陷害谋杀副总统的哥哥而入狱，并即将被处死。Michael Scofield计划通过抢劫银行而进入哥哥的监狱再去实行越狱。在完成纹身后，Scofield去抢劫银行，并配合的被捕、被起诉，直至被送到弟弟所在的芝加哥Fox River监狱。入狱后Scofield首先认识了和善的狱友Fernando Sucre，在Sucre的介绍下，Scofield认识了狱中的各种在自己的越狱计划中有作用犯人，包括昔日屠宰场的老大John Abruzzi和可以搞到很多生活物品的“C-Note”。与此同时，在华盛顿的主教试图按照Lincoln的意愿推迟死刑的执行，为了不让阴谋败露，探员Kellerman谋杀了主教，这另Lincoln的律师Veronica Donovan相信自己昔日的恋人Lincoln确系被陷害。地方长官Frank Tancredi的女儿Sara Tancredi在监狱做狱医，为接触Tancredi，Scofield谎称自己有糖尿病，每天来监狱医务室接受胰岛素注射，同时又找C-Note获取对抗胰岛素的药物。Scofield利用Abruzzi急于得知某关键证人下落，成功的进入Abruzzi掌控的监狱工厂，得以接触到同在监狱工厂工作的哥哥Lincoln。Michael告诉哥哥自己掌握这个监狱建筑设计，并展示了纹在身上的监狱设计蓝图。
主题分析：
《越狱》的主题和《肖申克的救赎》一样主题是救赎。在没有任何希望和自由的情况下，人应该怎么办?就在于救赎。把没有任何罪的哥哥和自己解救出去，获得原本就属于自己的自由。没有人可以剥夺他人正当的自由权利，不屈服那些来自阴暗面的黑暗势力，这就是一种信念，麦克在身纹上了地图，故意犯罪进入监狱去设法解救哥哥。为了公正和自由不惜一切代价，1个月的期限要到了，监狱里帮派斗争复杂，自己的脚趾被剪断了，但是他一点也没有放弃。自由和公正，哥哥的性命没有比这些更重要的了，忍辱负重受尽折磨，只为了一个目标--自由。救赎成为了一种生命的历练，生命的升华。
人物形象分析：
麦克是一个受过良好教育的白领建筑设计师，收入丰厚并且住着高级公寓。他刺了文身故意去强银行，一心就是想要蹲进监狱。在朝天开了几枪之后，迈克尔束手就擒，并在法庭上完全放弃了辩护。他只对法官提出一个要求，就是让他和哥哥林肯关到了同一个地方——狐狸河监狱。他的哥哥林在一个月后就要被处死，罪名是谋杀副总统的弟弟。但事实却不是他所杀，所以发麦克要在30天内救林肯出狱 。表明了麦克是一个十分重视兄弟情感和坚守真理的人。
麦克有是十分的机智的，利用典狱长十分喜欢做建筑模型的爱好去接近他，然后不断的讨好典狱长，试图依靠典狱长的权势来为自己成功越狱提供保障。投其所好是最容易接近目标的方法，而克制狱警阻挠的最佳手段也是依靠更大权利的人。麦克在处理监狱中帮派问题也是恰到好处，一开始帮派的领导者对新来的麦克都十分讨厌，甚至故意伤害麦克，但是麦克知道要越狱不得不依靠他们的力量，所以不计前嫌的不计较一切，协调好了个方关系。让各方都为他的计划出手援助共同谋划。对于狱警的内奸，也是表面上不漏声色，心里做好了充分的准备使破话计划的人一次又一次的失败。麦克子还没有进监狱之前就在监狱的工程项目中动了手脚，而在进监狱后更是收集各种机会想办法弄到越狱的工具，比如挖墙的铲子，配置腐蚀广管道的溶液等。
特写镜头：
特写镜头兼顾了，叙事写意2种只能。它是突出细节描写的艺术。无声地展现了重要的、本质的事物。它通过表现细节和过程，在视觉上起到一种强调突出作用。
在影片中大量的出现特写的镜头，并且富含着意义。特写纸折的小鸭子一本杂志，都被被仍进下水道中去，其实是在想歪传递一些正真罪烦的信息。
特写的应藏在书中的锤子等工具和翻开水池的动作，是说明了他已经准备好了工具凿穿监狱的墙壁越狱的动机。
一次在工厂中偷走一瓶溶液时溶液瓶的特写和化学方程式的特写，又蕴含着他想要通过腐蚀的方法去破话监狱的阻碍物去越狱的动机。
在监狱里，他藏了一部手机在一堵墙壁了，手机的特写，说名了他是故意的把肥皂做的假手机放在这里，目的是为了引出内奸来，辨明忠奸知道那些可以成为朋友，那些不能交朋友，方便以后越狱。
审美期待：
如果一个包袱很早很简单就都出来了就没人喜欢看了。怎么样使得影片更加好看?那就必须使片子具有较强的审美期待感。审美期待不应该立刻被满足，而需被延迟。我们通常所说的悬念，就是对期待满足的延迟。
越狱中，还有一个月哥哥就要死刑了，事情是非常的迫在眉睫的。解救无罪的哥哥必须要有快有好。但是影片却没有很快的使哥哥被马克救出，麦克也没有即可挖通隧道救出哥哥。一切计划，都在循序渐进的进行着，每时每刻都要经受来自个方面的挑战，室友的忠诚度，狱警的监视程度，工具的寻找，有时，想方设法，找律师证明哥哥无罪，和拖延哥哥死刑的期限也是一种缓兵之计。之间会遇到各种各样的矛盾的困扰，越狱的进程是曲折的，前途是光明的。日积月累，墙面被逐渐挖开。
为什么要把杂志和纸做的的鸭子放进下水道? 笔记本中藏着的小型工具是干什么的?
纸上的一些断断续续的化学符号能组成什么合成物?
影片没有马上告诉你答案，而是隔了很长的一段后才慢慢提供一些暗示，和揭晓谜底，最后产生前后照应和一种惊奇感。
随着情节的推动和事态的进展，越狱的计划在万分艰难中慢慢的进展着，审美期待也在曲折中一步一步被满足。
第四篇：越狱影评
《越狱》影评
第一季——越狱;其实已经势成经典了。 文特沃斯·米勒(Wentworth Miller)饰演天赋异禀的工程师Michael Scofield设计了一场银行劫案，并因此被捕入狱，仅仅只是为了救出身陷冤狱的哥哥，由多米尼克·珀塞尔(Dominic Purcell)饰演的Lincoln Burrows。因为信任，因为深信不疑，因为诉求无门，所以不得已而为之;因为自信，因为设计周全，因为天赋异禀，所以Michael选择了这样的一种极端的方式。
悬念密集又环环紧扣，情感上打出的兄弟情深牌又顺理成章;政府黑幕，环境复杂，人物形象饱满有力，情节发展紧凑，加上对权威的颠覆以及对弱势的同情，给了这部剧集一个极好的温床。在极有限的条件下，如何创造一种属于自己的优势，并且最终主导形势，这就制造出一个极有吸引力的卖点。
如何越狱，是否能最终越狱成功，是这一季的最大卖点;如何攻克每一个难关，如何越过眼前的每一个细节带给的巨大阻力，这又是每一集留给我们的期待。第一季《越狱》，势成经典，是有它的道理在里面的。
第二季——逃亡;计划内的发展，它被关注其实也是顺理成章。
或者说，从剧集一开始，编剧们其实已经设计了这一季的主要剧情了;毕竟，从监狱里逃脱出来，不过只是第一步，可以逃脱，就意味着可能被重新抓回去，那么一季《越狱》只是一场徒劳的虚妄;如何逃出来，在第一季里完成;如何进一步逃亡，如何把自己身上的污
点洗净，如何最终把自己变为合法公民，就算最后只能逃到另一个国度，可是有了足够多的资金以及一个自由的身份，那才是最后的救赎。
更大的政府力量的介入，更多的人被牵扯进来，更多的悬念终被揭开„„当剧集的最后，Michael和Lincoln带着巨额的美金和自己深爱的人逃到了巴拿马，剧集就已经可以结束了。至少，在这一刻里，我们的审美还不至于疲劳;并且，我们的耐性也都还有;而最终，我们得到了一个满意的结局，剧中人也都得到了圆满的发展。
美剧在这方面似乎多少有点不可理喻。当一部剧集的收视率到达了一定程度的时候，这部剧集就不会结束。于是剧集的最后，是一个突如其来的大逆转，本来已经逃出生天，并且已经完全计划发展的情节被突如其来的变故扭曲，应该出现的结局因为收视率的高昂而没有出现。Michael被捕入狱;这样的结束意味着远在美国的劳资双方已经签订了下一季的合约，新的剧本正在筹备——当所有人都在为此而欢腾不已的时候，我多少有点失望，因为我知道，审美疲劳终于会不可避免地出现;而没有办法急流涌退在光环里谢幕，最后将只能在落寞的黯淡里告别。
第三季——再度越狱;我想，关注这一季的人们，也许只有些本土的铁杆粉丝以及中国的观众了。
至少这部剧到我这里，不再如当初前两季那么狂热了，而仅仅只是因为看了开头，而无奈地看下去，捎带着打发闲暇的时光。一个更加混乱无序，更加肮脏污秽不堪的牢狱;救人者锒铛入狱，被救者却在铁窗之外另想他法。孔武有力的Lincoln如何把智谋深远的
Michael救出来，这时候的卖点远不如第一季来得诱人。
于是主末倒置，Michael依旧成为主角，依旧谋划全局;Lincoln如一员猛将，被指挥着前行，按步就班地完成统帅的所有意旨。可以说，Lincoln有的只是将才，而Michael则是帅才;这也许，也是文特沃斯·米勒被国人称为“米帅”的原因所在吧。
我不太记得这一季在美国的收视，在中国——它依旧掀起收视狂潮。不过在我，它仅仅只是一个成功商品的延续发展罢了。如果这部《越狱》在第二季结束，它将被我看作为一部经典;而来到了第三季，不过只是其经典之外的剩余价值的最后剥取罢了。
第四季——新逃亡计划以及新纪元的来临;到这里，这部剧集已经到了其强弩之末的最后挣扎。
如何逃亡，如何重生，这一季所讲的其实还是第二季要讲的故事，只是加入了一些新元素——Scylla。如何获得最后的清白，剧中人所能指望的不再是逃出美国本土，而是那些有力量操控全局的力量把他们的档案洗净而最终免罪。随着剧情的展开，从Company盗取Scylla，到被Company威胁要帮他们寻回Scylla，到Company内部力量的分化而进一步复杂化，最后不得不让联合国出面，让这部剧集最后草草收局。
剧情被一再地分化，然后复杂化;这是一部剧集最无可奈何地拖沓。冗长得看不到结尾，因为收视或者其它原因，它不得不寻找一些理由把剧情往下拖——当一部剧集走到了这一步的时候，这部剧集其实已经注定了衰亡。有些国内的网站发布资料说：《越狱》的结局篇
在美国本土再掀收视狂潮;对此我持怀疑态度，因为我不知道它的消息来源。早在《越狱》第四季播出之时，朋友在美国的影视网站上浏览时总跟我说，这部剧集在美国本土早已经沦陷，收视一片惨淡。
也许，收视率上涨是有可能的，毕竟曾经很多人都在关注这部剧集，而结局——也许能把许多已经逃离的观众召回。可是说到“狂潮”，其可信程度实在很低;我想也许更像是一种中国式的思维模式，在想当然地由此及彼地自我意淫里妄图的假想。
四年《越狱》;这部剧集的结束，对我来说更像是一种解脱。2005年开播，我在2006年开始看这部剧集;然后跟了它两年。2007-2008;第三季对我而言已如鸡肋;2008-2009的第四季，我似乎看得相当勉强。只是因为开始了观望的历程，而习惯性地想结束。第三季开始，经典已经死去;第四季开始，这部剧集已经沦为一部为了拍摄而拍摄的剧集了。
有许多人在感叹——《越狱》结局，以后有何美剧可看。发如此感言的人们，不过只是中国铁杆粉丝的最后意淫而已。在我看来，《越狱》前二季的水平也许可勉强地称为“不容置疑”，而后二季，已经在挑战视觉疲劳和审美疲劳的终极底限了。 Michael Scofield终于在结局里躺进了坟墓，我想，这样的一个结局给了我一个讯号——不管是编剧或者制作方，都已经被这种视觉疲劳和审美疲劳折磨得疲惫不堪了，以至于最后连一点后路都不留地彻底结束这部剧集。当一个灵魂人物地最终离逝出现在一部剧集的最后结局里，这意味着这部剧集不再会有续集，也意味着它永远地将
定格在这个画面里。
美剧，很少把结局做得如此彻底和决断。所以，第四季的最后一集，Michael Scofield的儿子那个颇有点意味深长的特写，多少给这种决断留下了最后的一扇后门;不过其可发展的程度已经不言而喻地过早夭折了。
相对于那些铁杆杆们最后的感叹，我相对而言，我更可能会有的感叹是——强弩之末的《越狱》已做完了它的最后挣扎，若不结束，还待如何。
当它已经离经典远去，当它的收视已经下跌得不成模样，当它最后的悬念都已经被破解，当它最后的一线生路都已经被其创作者封杀„„投资方不可能会再进一步投进资金，制作方也已经宣告尘埃落定的最后结局，一切已经没有任何可想像的空间了。
另辟蹊径，所以它曾为经典;强弩之末，所以它穿不透鲁缟。所谓经典;其实已经在黯淡的商业运作里死去了。
水工1003班
郭磊
2010071002
第五篇：越狱英语书评
"Prison Break" Review
Even though the 2005-2006 TV season doesn’t officially start until September 19 (the day after the Emmy Awards), one network has decided to start their season early. That said network would be FOX, and their first show is the prison drama “Prison Break.” Despite having a slightly unbelievable concept, it is a great way to start the season off on a good foot.
Michael Scofield (Wentworth Miller) is a desperate man. His brother, Lincoln Burrows (Dominic Purcell), a death row inmate confined to Fox River State Penitentiary in Joliet, Illinois, is scheduled to die in a little over a month for the murder of the Vice President’s brother, Terrence Steadman (David Lively.) Michael has an elaborate plan to break Lincoln out of jail, and in the opening scene of the pilot, he is seen having the last of a series of tattoos applied to his body. Those tattoos are the blueprints for Fox River. In 1999, he was involved in a retrofitting job of the prison, and he still has all of the plans of the building with him. After doing all the extensive research, and adding those notes to his tattoos, he gets rid of all of the evidence.
The next day, he goes into the downtown Chicago branch of United Savings Bank and attempts to steal over a half million dollars. When he is arrested, he is put on trial for armed robbery. He pleads no contest to the judge (Cheryl Lynn Bruce), despite the objections of his lawyer and childhood friend Veronica Donovan (Robin Tunney.) The judge sentences him to five years, with parole in two and a half. Michael has requested to be sent to Fox River, which the judge grants. Veronica still doesn’t understand why Michael is doing this, because he isn’t violent and he doesn’t need the money. Also, he was the only positive influence for LJ (Marshall Allman), Lincoln’s son. LJ lives with his mother, Lisa Rix (Jessalyn Gilsig), and her husband Adrian (Philip Rayburn Smith.) He has been getting into trouble lately, having been busted for possession of marijuana, and Lisa doesn’t know what to do about it.
When Michael gets to Fox River, Captain Brad Bellick (Wade Williams) greets him, and tells him that he has nothing coming to him. Michael meets his new cellmate, Fernando Sucre (Amaury Nolasco.) Sucre is engaged to his girlfriend, Maricruz Delgado (Camille Guaty), though a friend of hers named Hector (Kurt Caceres) has been making a play for her. He just wants to do his time and get out so that he can get married.
Meanwhile, Veronica is still troubled by the case. She is engaged to an investment banker named Sebastian Balfour (Anthony Starke), though it appears that she still thinks about Lincoln, who used to be her boyfriend.
Back at Fox River, Sucre tells Michael about Charles Westmoreland (Muse Watson), whom everyone whispers is actually the infamous D.B. Cooper, who parachuted out of a plane thirty years ago with a million and a half in cash (he actually only got away with $200,000.) Charles has a cat named Marilyn who was grandfathered in b
efore Fox River prohibited pet ownership.
Michael tells Sucre that Lincoln, or as the other inmates call him, “Linc the Sink” (because he’ll come at you with everything but the kitchen sink), is his brother. He wants to know how to get to Lincoln. Sucre tells him that the only way to do that is through “P.I.,” or Prison Industries (meaning the inmates who behave get to do work for the prison.) Former mob boss John Abruzzi (Peter Stormare) runs P.I., and he is the only one who can get Michael approved for it. Michael later asks Abruzzi if he can be hired for P.I., giving him a paper origami swan and telling him that he has something to offer the mob boss. Abruzzi scoffs at this new “fish” and throws away the swan. Michael does have something to offer Abruzzi though. Fibonacci is a mob informant whose testimony put Abruzzi behind bars, and he, along with mobsters Gavin Smallhouse (Gianni Russo), Philly Falzone (Al Sapienza), and Maggio (Rich Komenich), are very interested in finding the man, who is currently in witness protection. His testimony could land all of them in jail, and Falzone specifically threatens Abruzzi with harm to his kids if he doesn’t find Fibonacci.
Michael visits Dr. Sara Tancredi (Sarah Wayne Callies), the prison doctor. Sara is the daughter of Illinois Governor “Frontier Justice” Frank Tancredi, a fact that she doesn’t like to tell many people about, because she differs with her father in their political beliefs. Michael has to go the infirmary for his regular insulin shots, because he has Type I Diabetes.
In Washington D.C., Special Agent Paul Kellerman (Paul Adelstein) and Special Agent Danny Hale (Danny McCarthy) are trying to thwart the efforts of anyone who might free Lincoln. A man named Bishop McMorrow (Chelcie Ross) has a lot of influence with the Governor and may persuade him to grant a stay of execution. They decide to visit him and “persuade” him to back off by accusing him of tax fraud. McMorrow won’t be bullied, but later in the episode, he is shot and killed in his bed.
Back at Fox River, Warden Henry Pope (Stacy Keach) asks to see Michael. He knows that Michael is a structural engineer, so he offers him three days of work a week in Pope’s office helping him build a model of the Taj Mahal made out of toothpicks. It is for his wife for their fortieth wedding anniversary, but he can’t seem to get the proper reinforcements to keep it from collapsing, and that is where Michael comes in. Michael turns down the offer at first, but a few days later, he accepts the offer when the warden threatens to throw Michael in the SHU (solitary confinement) for ninety days for fighting. The reason he was fighting was that Abruzzi got a call from Maggio that they received a picture of Fibonacci and a folded up swan. He realizes that Michael does have information about Fibonacci, and he demands that the fish tell him where the informant is. Michael will tell Abruzzi the information, but not until they are both safe outside the walls of the prison. Abruzzi takes offense to this, and he has his goons beat Michael up (he later ends up supplying Michael with his P.I. work card though.)
Back in Veronica’s office, she finds out that McMorrow has been killed, and she realizes that Michael was right when he told her that Lincoln had been set up.
Michael needs PUGNAc, an insulin blocker, because he is only pretending to be diabetic so that he can spend more time in the infirmary getting things ready for his and Lincoln’s escape. He approaches a black inmate named C-Note (Rockmond Dunbar) about supplying him with some PUGNAc.
Michael then looks for a bolt on a specific set of bleachers out in the yard. He has the serial number for this specific bolt tattooed on his forearm, and he finds it, but before he can screw it out of the bleacher, Theodore Bagwell, a.k.a. T-Bag (Robert Knepper), stops him. He is the leader of the Alliance for Purity, a white supremacist gang, and he has his submissive partner May Tag (Brian Hamman) with him. T-Bag says that a race war is around the corner, and he offers his protection. Michael turns him down, which ticks T-Bag off, forcing Michael to leave the bolt half-unscrewed.
Veronica finds Tim Giles (Keith Diamond), Lincoln’s public defender, and asks him about a man named Crab Simmons (Tab Baker), who could have cleared Lincoln’s name. Crab is a five-time felon, so it would be a waste of time. The next day, Tim visits Veronica in her office and gives her a surveillance video of the parking garage where Lincoln had allegedly killed Terrence Steadman. It was meant to be a form of closure for her. She watches it, and then she visits Lincoln in jail to ask him about it. He tells her that he never fired his gun, and that she should do some more research.
Michael goes back to finish unscrewing the bolt, but T-Bag and May Tag catch him again. T-Bag makes Michael hand over the bolt, who gives it to May Tag. Michael later goes to Abruzzi to ask him about shaking down an inmate, which he tells him he will do, as soon as Michael tells him where to find Fibonacci. Michael further frustrates Abruzzi by telling him that he will do that once they escape.
Bellick does a search of Michael and Sucre’s cell (Sucre is in the SHU for having a shank during a previous shakedown) and finds the serial numbers for the bolt (he doesn’t know what those numbers mean though yet.) The numbers are accompanied by a name: “Allen Schweitzer.” He has a fellow C.O. look up the name, but he comes up with nothing.
Michael searches for the bolt in May Tag’s bunk, when he is caught by T-Bag and May Tag again (they are everywhere…aren’t they?) He tells them that he wants T-Bag’s protection, and that he needs the bolt to protect himself. C-Note sees this and gets mad. He later shows Michael the bottle of PUGNAc, but tells him that he chose the wrong side of the race war, causing Michael to leave empty-handed.
Veronica finds Crab’s residence and runs into Crab’s mother, who tells her that Crab is dead. Back in her office, Veronica gets a call from Leticia Barris (Adina Porter), Crab Simmons’ ex-girlfriend. She meets with Leticia, who tells her that she believes that the same people who killed Crab are trying to kill Lincoln. Veronica thought that Crab had O.D.’d, but Leticia said that Crab had a bad heart and would never touch drugs. He conveniently died a week after Lincoln had killed Steadman.
Hale and Kellerman had already questioned Tim about his visit to Veronica, and now they have witnessed her meeting with Leticia. Kellerman calls a mysterious woman, who instructs him to “do what you need to do to make this go away.”
During a prison riot, another inmate fatally stabs May Tag, but Michael is able to get the bolt away from him. T-Bag assumes that Michael had done the stabbing, and he vows revenge. Michael sharpens the point of the bolt to become an Allen wrench, which is the perfect size to fit into a bolt underneath a toilet (we later see in the coming attractions that behind the toilet is a tunnel, which I assume is the escape route.)
C-Note gives Michael back his PUGNAc, because he realizes that Michael wasn’t in cahoots with the Aryan Nation. Michael takes the medicine, and Sara later administers her test. She confirms that he does have diabetes, but she is a little confused as to why he is so happy about it (Michael has a horrible poker face.)
On the way out of the infirmary, Abruzzi and his thugs grab Michael and force him to give up the location of Fibonacci by putting one of his pinkie toes into the path of some pruning shears. He refuses, and the episode ends with one of the thugs cutting off the pinkie toe.
The director of the Rush Hour movies, Brett Ratner, executive produces and directed the first hour of this show. Paul Scheuring, the writer of the 2003 Vin Diesel movie A Man Apart, created this series and wrote its first two episodes. They have constructed a show that is a little bit far-fetched, but interesting. The fact that Michael conveniently goes to the same prison as Lincoln, and that Sara is only mildly inquisitive to Michael’s diabetes problem is a little hard to believe. Also…when are they going to explain why Michael Scofield and Lincoln Burrows have two different last names? Are they half brothers?
The acting is great though. It’s amazing how alike Miller and Purcell look. Maybe it’s the buzz cuts, but I could actually believe that they were real brothers. Stormare always makes a great bad guy in movies, so he is giving us another good one on the small screen. Knepper plays a very creepy bad guy, and he is very effective at it too. The two love interests are good, but they don’t have a lot of time to establish their romances with their respective men yet. Callies is obviously going to fall f
or Miller, and I seriously doubt that Tunney will be seeing a wedding in the end with her fiancé.
“Prison Break” reminds me of ABC’s “Lost,” in which I like the concept, but I can’t see it going beyond a season. “Lost” proved that it could provide an ongoing plotline that will last its inaugural season, so I’ll have to have faith that this one will do it as well. This show had so many questions yet unanswered in the first two episodes, and the durability of it might be one of those questions. Welcome to the fall season!